{"id":160,"date":"2013-07-26T18:29:24","date_gmt":"2013-07-26T21:29:24","guid":{"rendered":"https:\/\/cinemamudofilmes.com.br\/?page_id=160"},"modified":"2025-11-06T14:40:03","modified_gmt":"2025-11-06T17:40:03","slug":"camera-e-edicao","status":"publish","type":"page","link":"https:\/\/cinemamudofilmes.com.br\/index.php\/camera-e-edicao\/","title":{"rendered":"Hist\u00f3rico"},"content":{"rendered":"\n\n

\"532766_3639081493432_590400555_n\"<\/p>\n

MARCUS VINICIUS DE OLIVEIRA COSTA<\/strong>
C\u00e2mera, Fotografia, Edi\u00e7\u00e3o e Finaliza\u00e7\u00e3o
DRT:0007021\/SP

marcusvinicius@cinemamudofilmes.com.br<\/a>
<\/strong>
(11) 939 576 820<\/strong> \n

<\/p>\n

<\/p>\n

Formado em Filosofia na FFLCH \u2013 USP em 2001, no ano seguinte concluiu o mestrado em Hist\u00f3ria da Cultura. Na Universidade, entre uma disciplina e outra, come\u00e7ou a trabalhar com editora\u00e7\u00e3o de revistas independentes e apostilas de cursos pr\u00e9-vestibulares, como o cursinho da Poli e o cursinho do CRUSP. Passar da editora\u00e7\u00e3o e diagrama\u00e7\u00e3o para o web design foi um processo natural, desenvolvendo vers\u00f5es
on-line de projetos editoriais, cada vez mais comuns no mercado.<\/p>\n

Nas empresas Archimidia (http:\/\/www.archimidia.com.br<\/a>) e Zabb Design (http:\/\/www.zabb.com.br<\/a>), desenvolveu diferente projetos, inclusive de modelagem de bancos de dados.<\/p>\n

Com o crescimento das m\u00eddias geradas por c\u00e2meras digitais, em 2006 passou a prestar servi\u00e7os como logger em sets de publicidade, ocasi\u00e3o em que come\u00e7ou a estudar c\u00e2meras de cinema e fotografia. Ainda em 2006, passou a atuar como assistente de c\u00e2mera freelancer.<\/p>\n

Em 2012, fundou a Cinema Mudo Filmes, que tem como foco filmes de apoio a grandes campanhas, como making of e promos para internet em diferentes setores: cinema, publicidade, arquitetura, eventos, entre outros.<\/p>\n

Em 2014, trabalhou como editor e finalizador no Canal Arte1 <\/a> da Rede Bandeirantes e diretor de TV na Eduk.com.br<\/a>.
Ao longo de 2015 e 2016 trabalhou na montagem e coordena\u00e7\u00e3o de p\u00f3s junto \u00e0 empresa M\u00edstika Post<\/a>para finaliza\u00e7\u00e3o do longa-metragem A Divina Com\u00e9dia<\/em>, de Toni Venturi, . (https:\/\/www.youtube.com\/watch?v=pqPEtEDOHoQ<\/a> https:\/\/www.cinemark.com.br\/filme\/a-comedia-divina<\/a>)
Em 2016, tamb\u00e9m atuou como logger, finalizador e colorista do document\u00e1rio Jo\u00e3o Gon\u00e7alves, Forte e Poderoso<\/em> (https:\/\/www.facebook.com\/forteepoderoso\/<\/a>), uma produ\u00e7\u00e3o Olhar Imagin\u00e1rio\/ESPN Brasil para a cole\u00e7\u00e3o Mem\u00f3ria do esporte ol\u00edmpico brasileiro<\/em>.<\/p>\n

J\u00e1 no fim de 2017 e in\u00edcio de 2018 montou e coordenou o departamento de v\u00eddeo da midasmusic.com.br<\/a> editando e finalizando os v\u00eddeo clips dos artistas da casa como Vitor Kley e Kell Smith entre outros.<\/p>\n

Ainda em 2018 trabalhou na montagem da s\u00e9rie Pel\u00e9 Eterno-Longa vers\u00e3o, ainda em fase de finaliza\u00e7\u00e3o pela Cinearte.<\/p>\n

Em 2019, prestou servi\u00e7os de montador e assistente de colorista para B\u00f3son Post<\/a> e montador e finalizador para Black Filmes<\/a>.<\/p>\n

Al\u00e9m de ser Operador\/assistente de C\u00e2mera de cinema, trabalha como editor, finalizador e colorista em projetos de diversas \u00e1reas: Cinema, televis\u00e3o, publicidades, institucionais e v\u00eddeoclips.<\/p>\n

A partir de 2020 at\u00e9 os dias atuais \u00e9 montador, finalizador e colorista fixo para B\u00f3son Post<\/a> e Y42 Studio<\/a>.<\/p>\n

Cinema: Segundo Assistente de C\u00e2mera, Logger, Editor e Finalizador.
Video: Dire\u00e7\u00e3o, Edi\u00e7\u00e3o, Fotografia, C\u00e2mera, Produ\u00e7\u00e3o e Finaliza\u00e7\u00e3o.
Avan\u00e7ado Adobe Premiere CC, Black Magic DaVinci Resolve.
Intermedi\u00e1rio em After Effects \/CC.
Especializa\u00e7\u00e3o e DaVinci Resolve no DRC<\/a>.<\/p>\n

Assinante do pacote Adobe Creative Cloud desde 2016.<\/p>\n<\/div>\n

\n

MARCUS VINICIUS DE OLIVEIRA COSTA<\/strong>
Camera, Photo, Editing and Post-production
DRT: 0007021 \/ SP

marcusvinicius@cinemamudofilmes.com.br<\/a>
<\/strong>
(5511) 939 576 820<\/strong><\/p>\n

Graduated in Philosophy from FFLCH – USP in 2001, earned master’s degree in History of Culture the following year. As a student, was responsible for the publication of independent universitary journals, and courseware crafting for pre-university preparatory courses, such as Cursinho da Poli and Cursinho do CRUSP.<\/p>\n

The development from conventional publishing and layout to web design was a natural process. The launching of online versions of editorial projects already created was a practice increasingly demanded by market.<\/p>\n

In Archimidia (http:\/\/www.archimidia.com.br<\/a>) and Zabb Design (http:\/\/www.zabb.com.br<\/a>) companies, different projects were crafted, including data modeling.<\/p>\n

With the emergence of digital cameras generated media, in 2006, the role of logger for advertising sets was performed. It was than that the interest in the areas of film and photography cameras emerged and studies began. Still in 2006, jobs of freelance camera assistant were performed.<\/p>\n

In 2012, Cinema Mudo Filmes was founded, a company focused on film productions that support big campaigns, such as the making of and Internet promotional films in different sectors: cinema, advertising, architecture, events, among others.<\/p>\n

In 2014, editor and post-producer posts in the Bandeirantes Network Canal Arte1 <\/a>. Followed by a TV Director post at Eduk.com.br<\/a>.<\/p>\n

Between 2015 and 2016 works were performed for M\u00edstika Post<\/a> company in the film editing and coordination of post-production process of the feature film The Divine Comedy, by Toni Venturi. (https:\/\/www.youtube.com\/watch?v=pqPEtEDOHoQ<\/a> https:\/\/www.cinemark.com.br\/filme\/a-comedia-divina<\/a>)<\/p>\n

In 2016, functions of DIT, post-producer and colorist were performed for the documentary Jo\u00e3o Gon\u00e7alves, Forte e Poderoso<\/em> (https:\/\/www.facebook.com\/forteepoderoso\/<\/a>), an Olhar Imagin\u00e1rio \/ ESPN Brasil production for the Mem\u00f3ria collection of the Brazilian Olympic sport.<\/em><\/p>\n

In late 2017 and early 2018, attended video department coordination for midasmusic.com.br<\/a>, in the post of editor and post-productor of house artists video clips for Vitor Kley and Kell Smith among others.<\/p>\n

In 2018 worked as film editor of the series Pel\u00e9 Eterno-Full Version, still in final editing stage by Cinearte. Beyond being Camera Operator \/ Wizard.<\/p>

In 2019, so far, he provides video editor and colorist assistant services to Boson Post <\/a> and video and post-production editor for Black Movies<\/a>.<\/p>\n

I am also qualified by works performed as editor, film editor, and post-producer, and colorist in several areas such as Cinema, television, advertising, institutional and video clips.<\/p>\n

Cinema: Camera Second Assistant, DIT, Filme Editor and Post-Procutor.
Video: Director, Editor, Photographer, Camera, Productor and Final Editor.
Advanced Adobe Premiere CC, Black Magic DaVinci Resolve..
Intermediate in After Effects CC.
Specialized in Apple Color and DaVinci Resolve at DRC School<\/a>.<\/p>\n

Subscriber to Adobe Creative Cloud package since 2016.<\/p>\n<\/div>\n